Idyllic Suburbia. Mom 'n' Apple Pie. Or not. This outrageous comedy turns suburban America on its head. Mad cow disease, Corporate Greed, Mob Mentality, the Cult of Motherhood, propaganda, discrimination, and dangerous kitchen utensils all find a home in this wild social satire.

Can a convicted murderer genuinely repent and reform? If you were the prison authorities, would you find it easy to decide if he should be released?

A crew of kid pirates - leader Jake and pals Izzy and Cubby - and their Never Land adventures as they work to outwit two infamous characters, the one and only Captain Hook and Smee.

In a remote northern woodland community, a young First Nations mother and her 7-year-old son search for her boyfriend in the wake of his mysterious disappearance.

When a fearsome and ancient species emerges from the ocean, dramatically revealing themselves to humanity, an international crisis is triggered. With the entire population at risk, UNIT step into action as the land and sea wage war.

Like Land And Sky is a 2007 South Korean television series starring Park Hae-jin, Han Hyo-joo, Lee Joo-hyun, Kang Jung-hwa, and Hong Soo-ah. It aired on KBS1 from January 15 to August 31, 2007 on Mondays to Fridays at 20:25 for 165 episodes.The daily drama was a hit, maintaining an average viewership rating of 30% throughout its nine-month run. Its peak viewership rating of 36.1% made it the third highest-rated Korean drama of 2007.

At the beginning of the 20th century, the arrival of a man on the Breton coast near Saint-Malo fills him with awe as he observes the devoted, courageous sailors and their wives waiting for them on the shore. Among them is a young laundress, whose charm does not leave him indifferent, waiting for her beloved, who left for sea months ago. When the ship returns, her fiancé is dead. He then decides to join these valiant men and, through his dedication, prove his love to the young woman.

With their father in prison for murder, siblings Alison and Brandon are instantly considered suspects when a string of killings plagues their town, and they must fight to clear their names.

In a remote village in Xinjiang, the Tajik people face a quiet crisis: the loss of their language. The older generation speaks in the ancient Tajik language using the Uyghur script, while the younger generation, influenced by government policies, speaks Mandarin and reads Chinese characters. This linguistic divide has created an invisible barrier between them, making communication between grandparents and children difficult. 　　Through the filmmaker’s intimate journey in the village, the film explores the emotional distance that words can’t bridge. As the villagers navigate their daily lives—through rituals, songs, and silent gestures—a deep, unspoken bond emerges, transcending the limits of language. The film is a poetic meditation on the power of human connection in the face of cultural and linguistic loss.

Blindboy Boatclub offers a fresh perspective on the legacy of early Irish Christianity